The Young Fairview Baptist Church Christian Marching Band (later to be know as the Fairview Brass band) performed from 1970 until 1974 (later mr Barker formed a second brass band)

From this musicians it's known that they played in the Brass Band:

Leroy Jones remembered the musicians bookmarked with * as members of the Original band from 1970.

1970:
Leroy Jones told me: "The Fairview Baptist Church Christian Marching Band started in my parents garage at 1316 St. Denis Street, only about 40 to 50 meters from the Fairview Baptist Church in 1970".
In an email of September 8 2005 he continues:
"I was the first youngster Danny Barker approached and asked about being a member of this new band. He also appointed me as leader. This was in 1970. I can't remember exact month, but I believe it was towards the end of that year, maybe October? By 1974 Mr. Barker was getting a lot of heat from the local musicians union in New Orleans, receiving false accusations, being accused of exploiting us for his own monetary gains, since the original group only consisted of juveniles. Of course I can vouch that non of that was ever true. By this time we were able to fend for ourselves anyway. So the Hurricane Brass band was established. That was my first brass band. Danny gave us that name, because even when we were the Fairview Band, he told us we came up the streets like a hurricane, blowing the other bands away".

1971:
(Picture by Tony Ray-Jones)
I asked Leroy about this picture and he mailed my this informatieon:
Dear Hugo,

... That's a very interesting and familiar photo.
My house, or I should say my parents house at 1316 St. Denis, where the rehearsals with the Fairview Band and later the Hurricane Brass Band were held, is located just two more houses to the left. In that picture the band is marching towards the original Fairview Baptist Church, located at the corner of St. Denis and Buchannan Streets. From who I can make out in the photo, in the back line on alto saxophones are Derrick Cagnolatti and Darryl Wilkerson. Visibly on the clarinet is Gene Mimms. I can't make out the fellow to his left. It could be me.
On bones from left to right are Isaac Banks and Roy Paisant. The clarinet player
in the front appears to be Thomas Mimms and I can't tell who's on the sousaphone. But it could very well have been Michael Johnson that particular day. I seem to be covered by Gene and it doesn't look like my horn was up to my lips at that moment.
This was quite an early Fairview Band.

... It looks like it was on Easter Sunday, the church parade and first neighborhood parade the band ever did. Thanks for sharing the
photo with me. I hadn't seen that one before...

Love,
Leroy ")

1971:
In front of the Fairview baptist Church

From the left to the right:
Isaac Banks, Roy Paisant, Stephen Parker, Ronald Evans, Raymond "Puppy" Johnson, Gregg Stafford, Leroy Jones, Charles Barbarin, Lucien Barbarin (behind Leroy), ?, Morris Carmbs, Harry Sterling (behind Morris), Gary Proctor.
In front: Thomas Mims, Derek Cagnolatti, Gene Mims, Darryl Wilkerson.
The boy behind the reeds is Raymond Johnson, who later played drums with the band

1971, April 24:
New Orleans Jazz and Heritage Festival
 
(picture Floyd Levin)
The picture, with Danny Barker at the right,  was made at Congo Square.
On the photo from the left to the right:
Raymond "Puppy" Johnson, Derek Cagnolatti, Lucien Barbarin, Harry Sterling (sign holder), Ronald Evans, Michel Andrews (grand marshall), Stephen Parker, Charles Barbarin jr, Leroy Jones, Morris Carmbs.

1972:
Picture by Michael P. Smith
From the left to the right:
? trp; ?trp; ? sous; Joe Torregano clar; Michael White clar; Leroy Jones trp.:

1972:
On the New Orleans Jazz & heritage Festival of 1972 Wynton and Brandford Marsalis sat in with the brass band.

1973:
The band played at the Louisiana Heritage Feat, (which later became Jazz Fest)

1977, May:
The Fairview brass band played at the Jazzfestival of Breda (NL)
Leroy Jones and Gregg Stafford played in the band.

Leroy Jones:
"Just to give you a brief history, the Fairview band was started in my parent's garage at 1316 St. Denis Street, only about 40 to 50 meters from the Fairview Baptist Church. I was the first youngster Danny Barker approached and asked about being a member of this new band. He also appointed me as leader. This was in 1970. I can't remember the exact month, but I believe it was towards the end of that year, perhaps October? By 1974 Mr. Barker was getting a lot of heat from the local musicians union in New Orleans, receiving false accusations, being accused of exploiting us for his own monetary gains, since the original group only consisted of juveniles. Of course I can vouch that non of that was ever true. By this time we were able to fend for ourselves anyway. So the Hurricane Brass Band was established. That was my first brass band. Danny gave us that name, because even when we were the Fairview Band, he told us we came up the streets like a hurricane, blowing the other bands away.

I knew all the musicians who came through the Fairview and Hurricane Bands, for we rehearsed at my home, in my parent's garage. A couple of guys I only remember by their nicknames, like Dusty, the Eb clarinetist, who was a cousin of the Barbarins". (Leroy Jones: email September 9, 2005)

Barker was asked by Reverend Andrew Darby to help organize a group of “young people,” into a brass band at the Fairview Baptist Church. Jazz historians site Barker’s involvement with this band as his most important contribution to Jazz. Barker proved to be as much a mentor as a music teacher, showing how to dress for a gig, as well as what to play. Greg Boyd wrote in an article from 1971, “Danny [Barker] says that the kids really had an interest in old music and second line music, but didn’t have anyone to take time with them. Danny would like to have them learn about the roots of traditional New Orleans music.” In 1973 The Fairview Baptist Church Christian Band played at the Louisiana Heritage Fest, which later became Jazz Fest, wondering the grounds in Brass Band style. The band reaped praise, “…they were young and spirited and sounded great,” wrote Joan Treadway, in a 1973 issue of the Times-Picayune. In the same article Barker reveals his pleasure in the success of the band. “Some people say that when the old musicians die, that will be the end of Jazz, but I’m proving they’re wrong.”

I asked Bruce Braeburn, respected local drummer and curator for the New Orleans comprehensive Paul Hogan Jazz Archive, if Barker was as important as writers like Brock say, after all the highest praise comes from a man who was once Barker’s agent. If one man had to be singled out for his contribution to the resurgence of brass bands and parading Braeburn told me, it would be Danny Barker. But Don’t forget, Braeburn warned me, the scene wasn’t dead before Barker, there was still plenty of music happening. Brass bands were well established. They just needed someone to reach the next generation ears.

In the late seventies, before Louisiana complied with the Right to work act for unions, union players could not play with non-union players. Barker, who was not really a member of the band, was still a part of the organization. The jazzman often march with the Fairview, who were gigging regularly around the city. Fellow Union members brought Barker before the board. His choice was to halt his role with the Church Band or be fired from the Union, which at the time would have financial suicide. Gathering the kids around, Barker said, “I have some bad news. I have to stop working with you all.” The Fairview Baptist Church Band ended, but not before hundreds of kids got schooled on their roots.By B. Singer

Leroy Jones wrote in his notes of his CD "Back to my roots:
"I was introduces to New Orleans brass band music and traditional jazz by Danny Barker when I was 13 years old. He was helping the pastor (reverend Andrew Darby) of his church, the Fairview Baptist Church, organize a brass band or youth group for youngsters who either played a musical instrument or might be interested in playing one, in the Fairview Band."

Eddieboh Paris in an interview in Gambit Weekly:
If it hadn't been for the little shoplifting incident in the summer before eighth grade, Eddieboh Paris wouldn't be a professional musician.

It was just a 10-cent Hubig Pie -- apple -- tucked into the waistband of his shorts. But while Paris was walking out of the grocery store, the pie fell -- right in front of veteran jazzman Danny Barker, who had recently retired and moved back to New Orleans from New York City.

Barker looked at him and said, "Boy, you're stealing? I know your mama." The very thought struck fear in Paris' heart. His mother, Lois Joseph, worked long days as a registered nurse, says Paris, and came home to "run the house like a boot camp."

Barker continued, as if nothing had happened. "I have a surprise for you," he said. "I'll be at the church tomorrow with Pepsi and all the hot dogs you can eat -- with mustard, ketchup, chili, anything you want. But I want something from you." And so Barker recruited Paris for the now legendary Fairview Baptist Church jazz band.

The hot dogs were a big draw, Paris admits: "Because I'm the fourth of seven kids and when the food was gone, it was gone." But next to the food was Barker with a bunch of donated band instruments. He told Paris to "put some of that energy to good use" and gave him an E-flat sousaphone. "It was big and ugly, and I hated it," Paris recalls. "Then I thought, 'He's going to tell my mama I stole that pie.'" So Paris stuck with it and eventually learned to play the double B-flat sousaphone, the baritone horn, slide trumpet, and -- his love -- the trombone.i1

The Fairview Band performed at church events, Social & Pleasure Club events, Funerals, and Second Line Parades all over the city of New Orleans. The band has performed at the Kennedy Center for the Performing Arts and the Smithsonian Institute Festival of Culture & Folklore. The Fairview band later evolved into the Hurricane Brass Band, which became the seed of the Dirty Dozen Brass Band.i2

In 1965 Danny Barker moved back to New Orleans from New York City and formed a children's group led by Leroy Jones known as the Fairview Baptist Church Marching Band. This group began to attract attention and before long Harold (Dejan) felt their competition. As a result, Dejan complained to Musicians Union officials about these underage kids taking their jobs and not being Union members. Danny then encouraged Leroy to join the Union and Leroy formed the Hurricane Brass Band. When Leroy decided to pursue a solo career, the Hurricane Brass Band became the Tornado Brass Band, which in turn spawned ReBirth, Dirty Dozen, Soul Rebels and New Birth Brass Bands. As the brass band revival of the '70s and '80s exploded, Harold began to nurture and encourage many of the younger players.i3

Leroy Jones reassembles the Fairview Brass Band for a special concert
at the New Orleans Jazz & Heritage Festival 2009 i4

Sources books:
9 Keeping the beat on the street by Mick Burns

Sources (internet):
i1 http://www.bestofneworleans.com/dispatch/2003-08-26/ae_feat.html or see here
i2 http://www.satchmo.com/leroyjones/biography.html 
i3 http://www.bestofneworleans.com/dispatch/2002-04-09/feat2.html
i4 http://groups.google.com/group/nola-music-announce/browse_thread/thread/447da8432eb0117a?pli=1

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