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*
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As a brass band musician he played with:
Excelsior,
Pacific,
Pickwick, Brass Band
Married with: Olivia Manetta in 1894
235 Pelican Avenue (Algiers)
was home to Louis Douroux in
1900. Douroux played cornet in the Pickwick brass band.
He married Olivia Manetta in 1894 and was the father of Dolly
Douroux (later Adams),
another jazz musician.
http://houseoftherisingsunbnb.com/jazztour1.htm
Dolly Douroux, daughter of Louis:
In 1917, when 31-year-old Ann Cook was
still a regular at Willie Piazza’s, 13-year-old Dolly Douroux played piano
just a block down Basin Street at Lulu White’s Mahogany Hall.
White was one of Storyville’s most successful madams, famous for supplying
light-skinned Creoles-of-color prostitutes, considered exotic by white
middle- and upper-class men (blacks, and Creoles of color such as Douroux
— her heritage was Sicilian, French and African — could work in Storyville
but not be customers).
Both of Dolly’s parents played trumpet, Louis Douroux in a brass band. But
codes of feminine respectability restricted Olivia Manetta Douroux’s
public playing: Only at private parties could guests delight in the
stunningly difficult duets she would play with her husband.
Growing up in this musical atmosphere, Dolly Douroux learned to play bass,
drums, trumpet and guitar, but her skill as a pianist gave her special
cachet. Since the earliest jazz bands were marching units, pianos were out
of the question, but when bands began to play in venues with pianos, the
instrument became a staple.
Piano chordings helped anchor the improvised, interwoven melodies of the
brass and reed players. Thus, an activity considered a respectable
“feminine” accomplishment — playing the piano —came to be valued by bands
made up primarily of men.
Other women in this formidable generation of early jazz-band pianists
include the aforementioned Todd and Bart, along with Margaret Kimble,
Jeanette Salvant (Kimball) and Mercedes Garman (Fields).
Douroux soon found herself in demand with bands all over the city,
including those led by Peter Bocage, Luis “Papa” Tio,
Lorenzo Tio Jr. and
Alphonse Picou. She also organized her own ensemble to accompany
vaudeville acts at the Othello Theatre on South Rampart Street .
But in 1922, Dolly married Placide Adams, who preferred that his wife stay
home. So Dolly Adams bore and raised a musical family, training all seven
of her children on multiple instruments.
When the family ran into financial hardship in 1937, however, Placide
finally allowed his wife to resume her career. First with her brothers and
then with three of her sons, Dolly Douroux Adams continued to rock New
Orleans into the 1960s.
http://www.msmagazine.com/winter2004/jazz.asp
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